• Beatrice Alemagna
    Vi går till parken, 2019

  • Martin Jacobson
    Katedralen, 2018

  • Jenny Holzer
    Wanås Wall, 2002

  • Katarina Löfström
    Open Source, 2018

  • Malin Holmberg
    I will stop loving you, 2010

  • Sarah Schwartz
    Mother, 1990

  • Beatrice Alemagna
    Vi går till parken, 2019

  • Martin Jacobson
    Katedralen, 2018

  • Jenny Holzer
    Wanås Wall, 2002

  • Katarina Löfström
    Open Source, 2018

  • Malin Holmberg
    I will stop loving you, 2010

  • Sarah Schwartz
    Mother, 1990

  • Beatrice Alemagna
    Vi går till parken, 2019

  • Martin Jacobson
    Katedralen, 2018

  • Jenny Holzer
    Wanås Wall, 2002

  • Katarina Löfström
    Open Source, 2018

  • Malin Holmberg
    I will stop loving you, 2010

  • Sarah Schwartz
    Mother, 1990

  • Beatrice Alemagna
    Vi går till parken, 2019

  • Martin Jacobson
    Katedralen, 2018

  • Jenny Holzer
    Wanås Wall, 2002

  • Katarina Löfström
    Open Source, 2018

  • Malin Holmberg
    I will stop loving you, 2010

  • Sarah Schwartz
    Mother, 1990

Art Projects 2024

Lavanya Mani Fables (Studio)

Exhibition Period March 23–June 23, 2024
Opening March 23, 10.00–16.00

Lavanya Mani: Fables

Lavanya Mani’s artworks weave together a rich tapestry of mythological and historical references, drawing from biblical accounts of the flood, ancient Indian fables, and illustrations of supernatural phenomena in Medieval manuscripts such as the Book of Miracles and the Persian book The Wonders of Creation. Trained in painting and skilled in traditional craft techniques, Mani employs natural pigments extracted from for example turmeric, madder root, and pomegranate peel on milk-soaked cotton canvas to create multi-layered artworks. Her works often delve into how stories and visual culture, akin to spices, dyes, textiles, and diseases, have traversed between societies through colonial trade routes, impacting colonialism and the economics of imperialism in India.

At the center of the exhibition stands The Ark: Animals of the World Complain to the Raven (after Miskin), inspired by a famous painting by Miskin, a court painter during the Mughal Empire in 17th-century India. In Mani’s interpretation of this historic cautionary tale, she presents a modern Noah’s Ark where birds, plants, sea creatures, and land animals huddle together, conspicuously devoid of human presence. In the new works made specifically for the exhibition, Mani allows the elements of wind, clouds, and animals to be the main protagonists, bridging historical visions of the apocalypse with contemporary anxieties surrounding climate change and how to protect all forms of life.

Textile Workshop with the Artist

Join Lavanya Mani on May 5th for a special full-day workshop at Wanås, where the artist will introduce how she uses traditional Indian fabric dyeing techniques in her artistic practice. Participants will have the opportunity to practice the initial steps in the long and intricate technique of kalamkari. Workshop will be conducted in English. Limited space available, get tickets here
 
Fables is Part I of the group exhibition The Ocean in the Forest.
Part II opens May 4 with projects in the sculpture park by Youmna Chlala, Evan Ifekoya and Eduardo Navarro.
 

Lavanya Mani (born 1977, Hyderabad, India, lives and works in Bangalore) studied painting at the The Maharaja Sayajirao University of Baroda, India and subsequently Indian craft and textile techniques. Recent group shows include Tai Kwun, Hong Kong; Gropius Bau, Berlin; SAVVY Contemporary, Berlin; Sharjah Biennial; Fondazione Como Arte; Academy of Fine Arts Vienna; Dhaka Art Summit; Museum of Modern Art, Warsaw; Kunsthall Trondheim. She is the recipient of many awards, such as Kashi Award for Visual Art by Kashi Art Gallery, Cochin, and Junior Research Fellowship from the University Grants Commission, New Delhi.