{"id":5758,"date":"2025-11-28T12:42:04","date_gmt":"2025-11-28T12:42:04","guid":{"rendered":"https:\/\/wanaskonst.se\/?post_type=samling&p=5758"},"modified":"2026-01-27T13:25:31","modified_gmt":"2026-01-27T13:25:31","slug":"rheinsberg-raffael","status":"publish","type":"samling","link":"https:\/\/wanaskonst.se\/en\/samling\/rheinsberg-raffael\/","title":{"rendered":"Rheinsberg, Raffael"},"content":{"rendered":"\n
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Raffael Rheinsberg, Black Line<\/em>, 1989. Photo Mattias Givell.<\/p>\n\n\n

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Raffael Rheinsberg<\/strong><\/strong><\/h2>\n\n\n\n
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Raffael Rheinsberg<\/strong><\/p>\n\n\n\n

(1943\u20132016, born in Kiel)<\/p>\n\n\n\n

Black Line,<\/em> 1989<\/p>\n\n\n\n

Slate, stone<\/p>\n\n\n\n

354 cm<\/p>\n\n\n\n

The starting point for many of Raffael Rheinsberg\u2019s projects was found objects. Trash, lost items, things that had no function\u2014he used, organized, and combined all of these in his installations. For the first exhibitions at Wan\u00e5s, this approach was typical of artists creating site-specific works. Black Line<\/em> is one of the park\u2019s most subtle works. Rheinsberg found black slate tiles in a storage space and wedged them down in the fissure of a large, cracked boulder in the park. The black line seems to be a minor intervention in nature, but it becomes powerful in the ways in which two different geological eras meet in the artwork.<\/p>\n\n\n\n

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Raffael Rheinsberg, Black Line<\/em>, 1989. Photo Mattias Givell<\/mark>.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Raffael Rheinsberg, Black Line<\/em>, 1989. Photo Mattias Givell<\/mark>.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Raffael Rheinsberg, Black Line<\/em>, 1989. Photo Mattias Givell<\/mark>.<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div>
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