{"id":5766,"date":"2025-12-01T12:07:07","date_gmt":"2025-12-01T12:07:07","guid":{"rendered":"https:\/\/wanaskonst.se\/?post_type=samling&p=5766"},"modified":"2026-01-22T14:43:54","modified_gmt":"2026-01-22T14:43:54","slug":"shiota-chiharu","status":"publish","type":"samling","link":"https:\/\/wanaskonst.se\/en\/samling\/shiota-chiharu\/","title":{"rendered":"Shiota, Chiharu"},"content":{"rendered":"\n
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Chiharu Shiota, Relationality,<\/em> 2018. Photo Mattias Givell.<\/p>\n\n\n

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Chiharu Shiota<\/strong><\/strong><\/h2>\n\n\n\n
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Chiharu Shiota<\/strong><\/p>\n\n\n\n

(Born 1972, works in Berlin)<\/p>\n\n\n\n

Relationality<\/em>, 2018<\/p>\n\n\n\n

Powder coated steel <\/p>\n\n\n\n

3 x 3 x 1,8 cm<\/p>\n\n\n\n

Chiharu Shiota creates three-dimensional artworks composed of intricate weavings of thread. As a young artist, she wanted to be able to enter her artworks, and she has developed a process that can be described as drawing in the air. With Relationality<\/em>, she creates her first outdoor artwork where the characteristic yarn has been replaced with metal thread. The sculpture returns to a motif that she drew with black marker for many years, a house linked to a figure. In a previous installation, she similarly connected her own body to the ceiling of a building. In the Hay Barn at Wan\u00e5s, she displays another artwork also based on the form of a house. Chiharu Shiota, who was born in Japan and has lived in Berlin for many years, revisits the sense of belonging everywhere\u2014and nowhere. <\/p>\n\n\n\n

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Chiharu Shiota, Relationality,<\/em> 2018. Photo Mattias Givell.<\/mark><\/mark><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Chiharu Shiota, Relationality,<\/em> 2018. Photo <\/mark>Wan\u00e5s Konst<\/mark>.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Chiharu Shiota, Relationality,<\/em> 2018. Photo Mattias Givell.<\/mark><\/mark><\/figcaption><\/figure>\n<\/div>\n<\/div><\/div>
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