• Rana Begum
    No. 1066 Bricks, 2021

  • Rana Begum
    No. 1067 Tiles_S, 2021

  • Rana Begum
    No. 1068 Pipes_O, 2021

  • Martin Jacobson
    Katedralen, 2018

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • lsabel & Alfredo Aquilizan
    In Habit, 2021

  • Katarina Löfström
    Open Source, 2018

  • Rana Begum
    No. 1066 Bricks, 2021

  • Rana Begum
    No. 1067 Tiles_S, 2021

  • Rana Begum
    No. 1068 Pipes_O, 2021

  • Martin Jacobson
    Katedralen, 2018

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • lsabel & Alfredo Aquilizan
    In Habit, 2021

  • Katarina Löfström
    Open Source, 2018

  • Rana Begum
    No. 1066 Bricks, 2021

  • Rana Begum
    No. 1067 Tiles_S, 2021

  • Rana Begum
    No. 1068 Pipes_O, 2021

  • Martin Jacobson
    Katedralen, 2018

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • lsabel & Alfredo Aquilizan
    In Habit, 2021

  • Katarina Löfström
    Open Source, 2018

  • Katarina Löfström
    Open Source, 2018

  • Rana Begum
    No. 1066 Bricks, 2021

  • Rana Begum
    No. 1067 Tiles_S, 2021

  • Rana Begum
    No. 1068 Pipes_O, 2021

  • Martin Jacobson
    Katedralen, 2018

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • lsabel & Alfredo Aquilizan
    In Habit, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

ART PROJECTS 2019

Kyung-Jin Cho – Swing Jam 

Opening September 28, 10 am–5 pm
Exhibition period September 28–December 22, 2019
With Kyung-Jin Cho
Curator Elisabeth Millqvist

The fall exhibition at Wanås Konst presents the artist Kyung-Jin Cho and her project Swing Jam. She thinks of Swing Jam as a sound installation originated from experiences of an earthquake last year in Seoul. “I chose sound as a main factor because it has a vibration like an earthquake. Based on research of ceramic pots depending on scale, thickness and materials in relation to vibration, my aim was to make big scale pots achieve stronger vibration in sound, and to find a method to interact with random movement. Randomness represents desire and power in nature. The spiritual sound expression enables the audience to experience an emotional connection to nature.”

Kyung-Jin Cho was born in 1987 in South Korea, lives and works in Stockholm. She obtained her MFA from Konstfack University College of Arts, Crafts and Design, in Stockholm 2017.