• Beatrice Alemagna
    Vi går till parken, 2019

  • Martin Jacobson
    Katedralen, 2018

  • Jenny Holzer
    Wanås Wall, 2002

  • Katarina Löfström
    Open Source, 2018

  • Malin Holmberg
    I will stop loving you, 2010

  • Sarah Schwartz
    Mother, 1990

  • Beatrice Alemagna
    Vi går till parken, 2019

  • Martin Jacobson
    Katedralen, 2018

  • Jenny Holzer
    Wanås Wall, 2002

  • Katarina Löfström
    Open Source, 2018

  • Malin Holmberg
    I will stop loving you, 2010

  • Sarah Schwartz
    Mother, 1990

  • Beatrice Alemagna
    Vi går till parken, 2019

  • Martin Jacobson
    Katedralen, 2018

  • Jenny Holzer
    Wanås Wall, 2002

  • Katarina Löfström
    Open Source, 2018

  • Malin Holmberg
    I will stop loving you, 2010

  • Sarah Schwartz
    Mother, 1990

  • Beatrice Alemagna
    Vi går till parken, 2019

  • Martin Jacobson
    Katedralen, 2018

  • Jenny Holzer
    Wanås Wall, 2002

  • Katarina Löfström
    Open Source, 2018

  • Malin Holmberg
    I will stop loving you, 2010

  • Sarah Schwartz
    Mother, 1990

Art Projects 2023

Carola Grahn Trädgränsen

Exhibition Period May 6–Nov 5 , 2023
Opening May 6, 11.00–16.00
Curators Malin Gustavsson och Milena Høgsberg

On May 6, we open this year's large exhibition in the Sculpture Park with the artist Carola Grahn (b. 1982) who explores our relationship to nature, rituals and sacred places.

Carola Grahn Trädgränsen

In several new installations, artist Carola Grahn explores our relationship to nature and the potential that Sami worldviews and ways of life might hold today. In traditional Sami cosmologies, humans are a part of nature rather than the rulers of it, and every thing in the universe is interconnected and interdependent. Similarly, spirituality is not separate from the physical world; gods and ancestors live in the branches of trees, lakes, animals, and underneath the stars. Grahn does not offer any easy answers for translating this view of the relation ship between humankind and nature in order to apply it to the present. Instead, through materiality, her works invite critical and curious reflections on our use, or misuse, of nature, which we often take from but rarely give back to. Through the use of materials from the forest and the placement of her works in the park at Wanås, the artist poses questions about land ownership, the application and value of its resources, and different understandings of belonging to a place. Grahn evokes Sami worldviews, a creative resource for reflection and future thinking. For the same reason, the exhibition title, Trädgränsen, is intentionally left open to multiple interpretations. It positions the forest as a threshold, as an entryway to alternate modes of sensing and understanding the natural landscape and the world at large.

Carola Grahn (b. 1982, Jokkmokk, Saepmie; working from Malmö) is a conceptual artist working in a variety of mediums. Interweaving traces of dark humor and references to popular culture and Sami tradition, Grahn challenges stereotypes, power structures, and social constructions throughout her work. Grahn graduated from the Royal Institute of Art in Stockholm in 2013. In 2021, she was awarded the Asmund and Lizzie Arles sculpture award. Grahn’s work is included in the permanent collections of the Swedish Arts Council, Moderna Museet, and the Mercedes-Benz Art Collection Berlin, among others.

 

THE ESSAY ABOUT CAROLA GRAHN'S NEW ARTWORKS AT WANÅS IS AVAILABLE IN THE SHOP BUT YOU CAN ALSO READ IT HERE.